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No Sacred Cows  
Toby Young
Thursday 28th June 2018

The problem with deciding that popular culture is 'problematic'


A controversy has erupted in Folkestone over a forthcoming screening of Zulu, the classic British war film. A charity has arranged to show the film at the Silver Screen Cinema on Saturday to raise money for members of the armed forces and their families, but the event may have to be cancelled following a letter to the town’s mayor signed by 28 locals objecting to Zulu’s ‘racist overtones’. ‘The film glorifies the myth that was created in 1879 after the humiliation of the British military defeat at the battle of Isandlwana,’ they write. ‘The Battle of Rorke’s Drift was, in reality, little more than a footnote after a far more important and far more gory battle earlier in the day, 11 miles away at Isandlwana.’

The Folkestone letter writers may not know it, but they are part of a growing movement to cleanse popular culture of its politically incorrect content. It is known as ‘the awokening’. In America, numerous films and TV programmes have been criticised for being insufficiently ‘woke’ — that is, failing to advertise their awareness of the systematic biases and challenges facing marginalised communities. I’m not talking about The Birth of a Nation, D.W. Griffith’s silent epic which has long been condemned for its sympathetic portrayal of the Ku Klux Klan, but much more recent fare, such as Friends. The long-running 1990s sitcom is now considered ‘problematic’ — woke-speak for ‘completely unacceptable’ — because, among other things, it poked fun at one of its characters for being an overweight adolescent. That falls under the banner of ‘fat shaming’, one of the deadliest sins in the woke decalogue. (To read more, click here.)

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Twitter RT @JillianKayM: At Colby College, a student was reported to the Bias Response Team for abilism after using the phrase "on the other hand."  (38 minutes ago)

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